4 April 2025: cellomondo
@ Pakhus Solo Stiens; 10 years cellomondo & CD presentation of cellomondo #4; www.pakhussolo.nl
News & Dates
18–29 March 2025: Les Ateliers du Violoncelle
Happy to be the cellist in residence 2025 at the Ateliers du Violoncelle in Paris and Lyon !! 18 March (20:00 @ atelier du plateau Paris): 10 years of cellomondo & CD presentation cellomondo #4 – Inside & premiere of my composition “Rolling Red Circles” for cello solo (played by Valentin Hoffman); 23 March (10:00): ...
4–7 March 2025: tour Istanbul
with Gerhard Stäbler (composition & performance), Kunsu Shim (composition & performance), Moritz Koch (percussion) and Jaume Darba Fa (flute); my “Shadow Pieces I. See & II. Hear” will be part of the program 4 March: Arter Museum6 March: Mimar Sinan University7 March: Austrian Cultural Forum
23 Feb 2025: Patterns in a Chromatic Field
Morton Feldman: Patterns in a Chromatic Field (cello & piano) @ Frakzionen Bielefeld; with Ji-Youn Song (piano)
14–28 Feb 2025: Venice Experimental Video and Performing Art Festival
“Traumatismes” (video & music), part II of my work “Images Intérieures”, exhibited at the Itsliquid Venice International Art Exhibition “Body Language” 2025
9 Feb 2025: Kerkconcerten Vries
Trio Karawane plays “Folk Tales”
8 Feb 2025: Opening Festival Trier
Trio Karawane plays “Yikes!”
new composition by Peter Jakober
Happy to announce that Stichting Gross & Marinissen receives funding from the Ernst von Siemens Musikstiftung for a new composition by Austrian composer Peter Jakober. He will write a piece for cello, (bass)clarinet and tape for Duo Gross & Schouten.
24 Jan 2024: Images Intérieures (premiere)
18:00 @ Aubette 1928, Strasbourg new composition, result of my artist residency at the Aubette 1928 in Strasbourg
Nice review about my “Shadow Pieces” @Meridian Festival Bukarest
“Lights dimmed, flashing lanterns flashing, soft, almost gentle, and lots of whispering, this is how Katharina Gross’s “Shadow pieces I-V” (2024) for 1-5 performers and audience began and continued in a crescendo of alternations. The three performers maintained throughout the piece a state of subtle tension, paradoxically warm and enveloping, creating that welcome curiosity of ...